Tuesday, April 28, 2020. Your suggestions; bozak mixer; urei 1620; ibm model m industrial; rotary mixer. Bozak CMA-10-2DL. The first rotary DJ mixer If it wasn’t because of the Bozak CMA-10-2DL, DJing would have never been possible during the 70s. Bozak designed the very first high quality DJ mixer in mid 60’s (the monoaural CMA-10-1 with 10 inputs) when the whole concept of mixing and “discotheques” was a brand new thing.

Today’s Bozak range is inspired by the DJ’s who themselves were inspired…Bozak is truly Audio For The Soul.

Rudy Bozak was one of the all time great audio pioneers spanning the 1930’s to the 1970’s. During the 50’s and 60’s the musical map was changing forever, from Rock n Roll to RnB and in the 70’s, RnB then went up-tempo and Disco was born. The rest is pure club land history. The Bozak CMA-10-2DL was the first commercially produced DJ mixer, ground breaking by being larger than life in stereo, but the single fact that finally the DJ had a mixer designed for their requirements. Engineers and DJ’s alike fell in love with the mixers functionality and the unique smoothness and warmth! Featured for so long in so many DJ booths, Nicky Siano’s Gallery, Studio 54 and Larry Levan’s booth at The Paradise Garage, the original Bozak mixer earned its unique place in DJ history. The legacy of the Bozak lives on today, in fact most of the modern manufacturers have copied Bozak’s original mixer in some shape or form but have never quite matched its unique sound.

Bozak’s use of discrete components gave the mixer a unique sound that cannot be re-created with today’s integrated op-amps. Analog Development has designed to the same exacting topology that made that early audio sound so warm, exciting and made the stereo image so dynamic. All the Analog Development products use high performance analogue control circuits using individually selected discrete components.
Analog Developments have faithfully reproduced the feel of the classic rotary controls with its simple but intuitive layout. Every care has been taken to faithfully reproduce the warmth and stereo separation that has made the Bozak name what it is today.

Functionality has been improved where necessary to accommodate today’s DJ’s and sound system engineers with special attention being paid to the connectivity and tactile feel of the product. The superior dynamic response makes the control smooth and predictable whilst the Bozak frequency-dividing technology gives individual tone control, allowing the user to isolate beats, vocals and the high hat as well as adjusting the overall tonal quality. The crossover points of the EQ have been carefully selected to yield a more natural sound and to emphasise the artistry in the musical production.

The producers and musicians, having spent so many hours perfecting their productions, would love to hear them played back in a club so the tracks can be heard to their fullest potential. The natural warmth of the Bozak brings out the dynamics of the sound as never heard before, precise and without the aural irritation and listening fatigue common to so many DJ mixers.

Although often imitated but never surpassed, the Bozak mixer was born in a golden era when sound was pioneered by engineers keen to discover new boundaries. The new Bozak products remain true to the design topology of those times, add in today’s engineering technology and we have achieved a unique sound as only dreamed of by its clones.

The original Bozak mixer was available in a few different guises and it is commonly felt that the product’s life was cut short and never reached its full potential for the DJ.

Today we utilise the original CMA-10 circuits as the bedrock of all the new Bozak products ensuring parity with the Bozak sound and quality but carefully updated to perform in tandem with modern players, system controllers and amplifiers and constructed to current safety standards.

All our products are hand built in our UK factory. All the Bozak products are fitted with the highest quality components selected for the best possible audio performance. Fitted with ALPS RK27 Blue Velvet pots, carbon resistors, environmentally sealed switches, polyester mylar capacitors and ultra low noise hi-fi grade worldwide toroidal power transformer all culminating in Bozak’s signature rich warm sound.

Having gone in depth on the DJ turntables that prove there is, our tech guru Paul Rigby digs into the enigmatic world of the mixer. No prizes for spotting the odd one outWords: Paul RigbyArguably, the mixer is the DJ’s principle piece of equipment, especially in a live environment. Of course, you need a method of playing your music in the first place, you live and die by your practised set and if you haven’t got the music to hook the bopping crowds then you might as well go home. The mixer, though is all important. It keeps your music on the move and allows you to build a structure, atmosphere and even tension, for your overall set.

In short, it changes your status from a ‘guy that plays records’ to a performing artist in your own right. Combining audio signals, allowing you to make smooth transitions between songs, control special effects or other external functions.As with all pieces of kit, though, mixers come in all prices with many variants of specification. Here is the Top 8 for your delectation, ranging from the budget to the higher echelons. Did we miss your favourite? Disagree with our choices and a demand a remix?

Jot down your thoughts below and tell us about it.STANTON M.203Price: £89Offering plenty of features for an extremely reasonable price. It’s solid with a reassuringly heavy feel while the matte finish gives it a Pro aura and the sliders work well. Yes, it’s aimed more at the beginner with 2-channels but there are plenty of more experienced DJs out there that use it principally because of its simplicity and ease of use.DENON X120Price: £175A simple 2-channel design and functional with it but it reeks of high quality. The two programme faders have gain control as well as 3-band EQ. There is a mic control feature that allows you to toggle the mic on, off or talk over mode.ALLEN & HEATH XONE: 22Price: £189There is a collective noun reserved for all Allen & Heath mixers: big buggers. The company used to have issues with quality control when it began to build its kit in China but that doesn’t appear to be an issue anymore.

Dcr pc110 drivers for mac os. A 2-channel mixer, the company has incorporated a version of its controllable filter, normally reserved for more expensive units in the Xone range. It arrives with low and high pass options. You can also control a separate effects box too.BEHRINGER DDM4000Price: £225The nice thing about this mixer is the price discounts that are currently available online.

This price I found down from £400 or so. The DDM4000 is a rather different beast from the above units in that it starts to move away from the beginner modes into a midrange of mixers. Offering four stereo channels, four multi-special effects sections, two BPM counters and a built-in 32bit sampler, this sleek looking unit is a bargain for what it does.OMNITRONIC TRM-202Price: £349Using the classic rotary style, the Omnitronic is a 2-channel system that looks like an E&S DJR400 – but is many of hundreds of pounds cheaper. This is a new piece of kit but early reports say that, for the price, it offers good sound quality along with a 3-band isolator and a 2-way equaliser.

Build quality looks pretty decent too as it uses ALPS’ Blue Velvet potentiometers.NATIVE INSTRUMENTS TRAKTOR KONTROL Z2Price: £460Designed to be integrated with the company’s own Traktor DJ software, this box enables you to control and simulate a DJ setup with a single system. Arriving with a suite of Traktor Scratch Pro 2 (hence the higher price) that includes over 30 special effects, it also benefits from having a large community of users that will help you overcome any teething troubles.ECLER NUO 4.0Price: £500Offering four channels with oodles of features such as full cut EQ, professional FX loop, faders curve adjustments two balanced XLR microphone inputs and two balanced XLR outputs.

The unit also has accurate and broad ranging LEDs, useful for recording mixes.BOZAK CMA 10-2DLPrice: £1,000+Used by the likes of Trojan Sound System, Larry Levan and Masters At Work, this rotary mixer was built to a high standard. That said, if you managed to grab one now on the second-hand market, you’d be advised to have it reconditioned. There are Bozak specialists out there who can do the job, though. Android usb driver for mac. Entirely based around discrete transistors with no integrated circuits, tackling the rotary system is a bit of a learning curve but, once you’re done, fans say that the system offers more ‘feel’ than a slider system.