Tracklisting:

George Duke - Dream On.zip 0; Size 101 MB; Fast download for credit 1 minute - 0,01. 81 - LP: Sidney Bechet Download 2010 Zip Torrent Rar. Jakob Reinhardt has released the US Dream Guitar, a free Kontakt instrument library. In jazz, Stevie's talent extended to Ramsey Lewis, George Duke, George Benson, Quincy.

1. Mr. McFreeze
2. Love Reborn
3. Tzina
4. Spock Does The Bump At The Disco
5. Pathways
6. Vulcun Mind Probe
7. The Dream That Ended

Source: Vinyl LP
Format: V0 VBR MP3
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George Duke, if you’ve read earlier entries, is one of my favorite artists of all-time. In my mind, he is one third of a “Holy Trinity” of keyboardists that also includes Chick Corea and Herbie Hancock. Now in the jazz world, there are a wealth of brilliant (and possibly more notable) pianists, and some very talented keyboardists in the world (Jan Hammer, for example) — so why these three? Well, beyond the familiarity I have with their catalogs, it really boils down to the unique voice the three carry in both their acoustic and electric worlds. Chick is said to be rather quirky, sometimes “weird”, but he does not change this when he moves from a grand acoustic piano to an ARP Odyssey (for example). Herbie Hancock is said to make powerful pieces that make you think about what you’re hearing, but this does not change much when he moves from acoustic piano to Rhodes piano. Certainly you even hear his phrasing and unique chord changes when he is on one of what has to have been a staggering array of synthesizers he’s amassed over the years. This is also true of George Duke, though, his synthesizer work I would have to say is definitive (so far as that the makers of Korg synthesizers actually named a patch after him: “The Dukey Lead”).

However, compared to the other two, George Duke’s work is largely unsung. It is only through the collective clamor of music lovers that his much-coveted discography on the MPS label (where he landed after working with Frank Zappa and others) found re-release on CD in the last few years. There is also a tendency for critics to deride artists that diverge from the “challenging” sounds of acoustic jazz for venturing into “lesser” forms of art — namely what is often called “fusion” (but is still jazz, just played with different instruments), and in George’s case, R&B and funk music. There, too, is where he diverges from the others in the Trinity, and dare I say, shines above them. Try as he might, Herbie made modest inroads as an R&B artist — largely because critics came down with the hammer, and partly, I wonder if it wasn’t because he was ahead of his time. That will be an entry for another time, I suppose.

Of his MPS catalog, there is one album that has eluded the ears of many of George Duke’s fans: The Dream, an album recorded in 1976, but released in 1978, a year after George left the fledgling label to try his hand at Epic Records, where he more successfully bridged the jazz and R&B worlds together, and also made his name as a producer of other artists. This album however, did actually see release eventually — in 1982 under the title The 1976 Solo Keyboard Album, which goes without saying is one of my favorite albums period, if only for its lead track, “Mr. Mcfreeze”.

So why is the MPS release relevant? Well, if you’re familiar with the Solo Keyboard Album, you’ll note some aural differences between this and the one released on Epic years later — in “Mr. 720p mkv tamil dubbed movie download. McFreeze”, George uses a different lead (and phrase) as the top melody in several breakdowns, there’s an entire minute or so of music that was chopped off “Spock Does The Bump At The Space Disco” (on its Epic release, the title of this song was even chopped). “Tzina” includes some wind chimes that are not present in the Epic version. Most strikingly, the song “Pathways” is completely acoustic in this version. For those who aren’t familiar with either, but may know the name George Duke primarily from the “R&B” side of his career, hearing a song like “Mr. Mcfreeze” may be a total “WTF” upon first listen.

Most impressive about this album in general, is that all the instruments you hear, are performed by George Duke. Sure, it is mostly synthesizer — though I never knew George Duke to ever play the drums (other than with his mouth — as you’ll find if you scrounge YouTube enough) or the bass guitar. That he did so and managed to make all the pieces fit, not to mention sound as competent as anyone else, behind his own (at times aggressive) keyboard play, just raised the profile of George Duke to someone who already held him in high regard. “Love Reborn” is a piece that George Duke revisits so many times throughout his career, I lost count. My favorite is his version included on Brazilian Love Affair, his 1980 opus, but here, it is a rather tranquil acoustic piece with some fast-fingered phrases throughout. The aforementioned “Spock Does The Bump At The Space Disco” is a fun and funky piece, that may sound a little disjointed at times. “Tzina” has a more regal and epic sound than the preview given a few albums back (Feel, his much esteemed 1974 release), “Vulcun Mind Probe” (as spelled by the people at MPS — Epic corrected this to make the obvious Star Trek references a little clearer) is what you’d expect from the title, and the closer “The Dream That Ended” is an appropriate ending note to this album, which might as well be titled Introduction To George Duke: Keyboardist Extraordinaire.

I must give all the credit to the excellent blog for bringing this release to my attention; there you can find the lossless (WAV) version of this album if you so desire.

George Duke – Dreamweaver (2013)
FLAC (tracks) 24 bit/96 kHz Time – 1:14:03 minutes 1,56 GB Genre: Jazz
Official Digital Download – Source: HDTracks.com Digital booklet © Heads Up International

George Duke describes this as his “strongest album in years.” The renowned keyboardist-composer-producer has gathered a myriad of voices and crystallizes them into a multi-faceted whole that far outweighs the sum of its parts. From bassist Christian McBride’s work on the funky jam tune “Burnt Sausage” to Rachelle Ferrell’s contemporary jazz singing on “Missing You,” every song offers something special. The powerful centerpiece of the album, the positive and politically charged “Change The World,” spotlights several up-and-coming young singers alongside some of the most prominent funk, soul, gospel and R&B artists of the last few decades: Lalah Hathaway (daughter of soul legend Donny Hathaway), Jeffrey Osborne, BeBe Winans, Lori Perry, Freddie Jackson and Terry Dexter, among others. A special bonus cut, “Ball & Chain,” features a duet with Duke accompanying the late R&B singer Teena Marie – one of the last tracks she recorded before her sudden death in 2010.

Dreamweaver marks George Duke’s return to recording after a three year silence, and his first since the death of his wife Corine in 2012. While he is always diverse, this set is uncommonly so. The opener, a slippery, atmospheric title intro, flows directly into the Latin-tinged “Stones of Orion,” a jazz tune with Duke on piano, Rhodes, and synths, Stanley Clarke on upright bass, and a four-piece horn section. It’s shimmering groove-oriented jazz that reflects the time that Duke spent with Cannonball Adderley. “Trippin’” is a funky, jazzed-up R&B tune where he offers his autobiography; it features some fine muted trumpet work by Michael Patches Stewart. “Missing You” is a jazz ballad tribute to Corine, with the finest vocal Duke has laid down in a decade. But there’s funk here, too, in the fat stomper “Ashtray.” Another highlight is the leisurely, wonderfully sophisticated, 15-plus-minute “Burnt Sausage Jam,” which features Duke on a wide array of keys, Christian McBride on bass, the late, great, and certainly under-celebrated Jef Lee Johnson on guitar, and John Roberts on drums and horns. “Change the World,” with a slew of vocalists including Lalah Hathaway, Jeffrey Osborne, and BeBe Winans, is obviously inspired by Michael Jackson’s “We Are the World,” but is far less anthemic, as it weaves modern gospel, adult contemporary R&B, and reggae into a seamless whole. The biggest surprise here is the inclusion of the sultry, bluesy, nocturnal jazz ballad “Ball & Chain,” with the late Teena Marie. It was cut for her Congo Square album, but was shelved because she wanted to use it on a planned collaborative jazz album with Duke. Sparsely adorned with his drum and synth programming, Stewart on trumpet, and Kamasi Washington on tenor saxophone, it’s a killer performance from Marie. The closing reading of the Dale Evans’ standard “Happy Trails” is rearranged as a soulful, sexy, gospelized jazz tune celebrating the lives of those who added so much to Duke’s. While it’s true that Dreamweaver’s creation was inspired by the desire to move on from so many losses — Corine, Johnson, Marie — it is not remotely a sad record. If anything, with its smooth, warm, grooves, it celebrates life in the present.

Tracklist:
01 – Dreamweaver
02 – Stones Of Orion
03 – Trippin’
04 – AshTray
05 – Missing You
06 – Transition 1 / Change The World
07 – Jazzmatazz
08 – Round The Way Girl
09 – Transition 2 / Brown Sneakers
10 – You Never Know
11 – Ball & Chain
12 – Burnt Sausage Jam
13 – Happy Trails

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